Senior Year

• Director: Alex Hardcastle
• Writers: Andrew Knauer, Arthur Pielli and Brandon Scott Jones
• Starring: Rebel Wilson, Mary Holland, Sam Richardson, Zoe Chao, Angourie Rice, Jade Bender, Chris Parnell, Alicia Silverstone

Grade: C

There are two ways to play Senior Year, a comedy about a cheerleader who slips into a coma before her senior prom for 20 years and wants to pick back up where she left off. One is the bonkers 21 Jump Street way in which everything is heightened and anything can happen, sending up the same genre it’s clearly pulling from. The other method is to use the insane setup as a way to explore a character who had the best years of their lives taken from them, in a saccharine, rom-com way. Consider it a coming-of-age comedy in which the central character has technically already come of age. Unfortunately for first-time director Alex Hardcastle, he never fully commits to either type of film. 

Pleasure

• Director: Ninja Thyberg
• Writers: Ninja Thyberg, Peter Modestij
• Starring: Sofia Kappel, Zelda Morrison, Evelyn Claire, Chris Cook, Dana DeArmond, Mark Spiegler

Grade: B

Perspective is an important, understated tool when creating a film. In Ninja Thyberg’s directorial debut, she wields it like a knife. Specifically, Thyberg shows the ins and outs (no pun intended) of the porn industry from a newcomer trying to reach the top of the world. But Pleasure is more than a retread of Boogie Nights (more on that in a minute) with a female protagonist. The film is an unflinching look at the modern porn industry and the deeply rooted misogyny inherent in how it’s run. Of course, the film wouldn’t be nearly as effective without the committed performance of its lead, Sofia Kappel.

Happening

• Director: Audrey Diwan
• Writers: Audrey Diwan, Marcia Romano and Anne Berest
• Starring: Anamaria Vartolomei, Sandrine Bonnaire, Kacey Mottet Klein, Luana Bajrami

Grade: B+

A film about a woman’s search for an abortion could easily feel like a heavy-handed attempt at political relevance, but that is not what Happening is about. Rather, director Audrey Diwan’s sophomore directorial feature grounds its drama in its lead character’s dilemma. It’s no secret that reproductive rights have been a hot-button issue in America for decades, even after the passing of Roe v. Wade – ironically, I screened this film the night before the draft opinion was leaked that would essentially overturn the landmark case. That the film takes place in France in 1963 and still feels as prescient is no small feat.