Matt finds a beautiful and poignant portrait of two lovers in Kurosawa’s One Wonderful Sunday.

Matt looks at Kurosawa’s only film with a female protagonist in No Regrets for Our Youth

Matt Hurt investigates Kurosawa’s first sequel and sees the early hints at the complexity he’d master throughout his career.

Matt Hurt reviews The Most Beautiful, a film where Kurosawa’s tempered involvement permeates through the screen.

Matt Hurt examines Kurosawa’s first feature film, 1943’s Sanshiro Sugata.