The Crown Season 6, “Ruritania” Review

“Ruritania”

  • Creator: Peter Morgan
  • Starring: Imelda Staunton, Leslie Manville, Jonathan Pryce, Dominic West, Ed McVey, Luther Ford

Grade: C+

Warning: Reviews of The Crown season 6 will contain spoilers.

Two episodes into the final stretch and it kind of feels like The Crown is playing the hits. Willsmania dealt with classic familial conflicts, albeit from an entirely new perspective. With Ruritania, the show returns to Elizabeth’s ever-evolving relationship with a new Prime Minister, this time in Tony Blair (Bertie Carvel). The head of state rightfully hasn’t factored into the show much lately, so when it became clear early on that Blair would dominate this episode, a flood of memories came rushing back. The Crown has mined great material out of Elizabeth’s dealings with the various Prime Ministers over the years, and Blair is an important historical figure, so hopefully Ruritania won’t be a one-off affair.

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The Crown Season 6, “Willsmania” Review

“Willsmania”

  • Creator: Peter Morgan
  • Starring: Imelda Staunton, Leslie Manville, Jonathan Pryce, Dominic West, Ed McVey, Luther Ford

Grade: B

Warning: Reviews of The Crown season 6 will contain spoilers.

Sounds plays an unexpected, minor role in Willsmania in getting into Prince William’s (Ed McVey) head space. In the opening moments, it comes as William drowns out the morning noise with music, followed by the ambient clicks and clacks as his father makes and eats his breakfast. But it’s all quickly eclipsed by the maniacal screams of William’s female fans, which dominates the episode.

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Chicken Run: Dawn of the Nugget Review

Chicken Run: Dawn of the Nugget

  • Director: Sam Fell
  • Writers: Karey Kirkpatrick, John O’Farrell, Rachel Tunnard
  • Starring: Thandiwe Newton, Zachary Levi, Bella Ramsey, Imelda Staunton, Lynn Ferguson, David Bradley, Nick Mohammed, Miranda Richardson

Grade: B

Nostalgia can be a deadly weapon. More often than not, our fondness for the pop culture of yesteryear can propel us to tack on an unecessary coda to what was already a perfectly fine artistic statement, whether it be a prequel, sequel, or spin-off. Though there are, of course, exceptions to this rule, like last year’s Top Gun: Maverick. I have tremendous nostalgia for 2000’s Chicken Run, as the VHS was on constant rotation on family road trips, so I greeted the news of a sequel, coming 23 years later and dropping on Netflix on December 15, with reserved skepticism.

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The Boy and the Heron Review

The Boy and the Heron

  • Director: Hayao Miyazaki
  • Writer: Hayao Miyazaki
  • Japanese Voice Cast: Soma Santoki, Masaki Suda, Yoshino Kimura, Ko Shibasaki, Kaoru Kobayashi, Jun Kunimura
  • English Voice Cast: Luca Padovan, Robert Pattinson, Gemma Chan, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe, Dave Bautista

Grade: A

Over the course of his 40+ year career, animation master and Studio Ghibli co-founder Hayao Miyazaki has made some of the most transcendent films ever made, animated or otherwise. They’re films like My Neighbor Totoro, Princess Mononoke, and Spirited Away that have crossed oceans and cultures to remind audiences of what storytelling can be. They’re films that casual movie fans and diehard cinephiles alike can enjoy, and they provide a much-needed rebuke to the often predictable storytelling mechanisms of Western animation. His latest, and possibly last film, The Boy and the Heron, feels like the film that he’s been building towards his entire life, a culmination of a lifetime’s philosophy in a beautifully rendered package.

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