Starring: Jay Baruchel, Glenn Howerton, Matt Johnson, Rich Sommer, Cary Elwes, Michael Ironside, SungWon Cho, Michelle Giroux
Grade: B+
Director, co-writer, and star Matt Johnson does something simple but effective in the early-goings of his newest film BlackBerry: he shows the titular device’s first prototype literally being put together. With most films in its genre, the product is shown as almost perfect from the beginning, as if it was destined to be great from conception. Johnson portrays the painstaking and frantic process of its creator Mike Lazaridis (Jay Baruchel) Frankenstein-ing the BlackBerry prototype together from various electronics in the waning hours before its first sales pitch. The rest of the film doesn’t necessarily revolutionize similar films based on fictionalized retellings of corporate disruption, but it’s a small indication that Johnson is dedicated to what really matters within the story.
One of the things that’s drawn me to the Radiant Black series is in its depiction of real-life consequences to having superpowers. Its protagonists aren’t too dissimilar to Peter Parker or Spider-Man – the urtext for these kinds of stories, of course – always trying to do the right thing but inevitably messing things up in one way or another. Writer Kyle Higgins doesn’t portray being a superhero as either a hindrance or an escape from the real world. Rather, it’s more like another facet of its protagonists’ personalities.
Starring: Eva Whitaker, Daveed Diggs, Cynthia Erivo, Ashley Park, Maxine Peake, Charithra Chandran
Nine episodes watched for review
Grade: A
Star Wars has been in a state of flux since the Disney takeover; its Skywalker trilogy was a mixed bag, ending in disappointment, and the spin-off/origin story films were breezy but forgettable. On the small screen it’s been similarly divisive, with The Mandalorian being the expected heavy hitter, but besides the great first season of Andor, it’s been mostly forgettable. So when the first volume/season of its anthology program Star Wars Visions released in fall 2021 with little fanfare, it understandably flew under the radar for casual fans. But for Star Wars and animation fans, the gambit proved to be a welcome change.
Starring: Jude Law, Ever Anderson, Alexander Molony, Yara Shahidi, Joshua Pickering, Jim Gaffigan
Grade: B
Disney’s live-action remakes of their classic films have largely been an exercise in futility. From the forgettably bland (Beauty and the Beast, The Lion King) to the simply forgettable (Mulan, Aladdin) to the creatively bankrupt (Pinocchio), the projects mostly fail to justify their own existence. They almost exclusively copy the plot of the original films beat for beat, with maybe an extra song thrown in, and utilize shoddy visual effects for the more fantastical elements. So why remake Peter Pan, when countless iterations already exist? Perhaps it was always meant to happen – I imagine that somewhere in the Disney offices lies a deck of cards, and Peter Pan’s was the next one drawn – but there’s an outside chance it’s because director and co-writer David Lowery had something unique to bring to the material.