Tag Archives: tv review

Disclaimer Episode 7 Review

“VII”

  • Creator: Alfonso Cuarón
  • Starring: Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Leslie Manville, Leila George

Grade: B

Warning: This review of episode 7 of Disclaimer will contain spoilers.

After last week’s reveal of Catherine’s version of the events in Italy, a number of questions remained. But the biggest question for Disclaimer lies in how much of her retelling is actually the truth. The show has dealt with a number of ideas throughout its run, especially in the second half, but it’s primarily concerned with the unreliable nature of storytelling. What one person recalls could be totally accurate, or it could be only half true. As the season finale, “VII”, begins, we see more and more of Catherine (Cate Blanchett in present day, Leila George in the past) retelling her truth to Steven (Kevin Kline), and the result is a powerful piece of storytelling and direction from Alfonso Cuarón.

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Disclaimer Episode 6 Review

“VI”

  • Creator: Alfonso Cuarón
  • Starring: Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Leslie Manville, Leila George

Grade: B+

Warning: This review of episode 6 of Disclaimer will contain spoilers.

I have an embarrassing confession to make when it comes to Disclaimer: For whatever reason, I hadn’t realized until recently that the flashback segments, which were so prominent in episodes 1-4, were gleaned from the fictionalized novel, which was originally written by Nancy (Lesley Manville) after Jonathan (Louis Partridge) died. Therefore, what we saw wasn’t necessarily the gods-honest truth; rather, it was whatever Nancy had gleaned from her knowledge of Jonathan, and his photographs. This extra layer of fictionalization calls into question not only what happened in Italy between him and Catherine (Cate Blanchett present day, Leila George in the past), but how much we can trust Nancy and Steven (Kevin Kline).

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Disclaimer Episode 5 Review

“V”

  • Creator: Alfonso Cuarón
  • Starring: Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Leslie Manville, Leila George

Grade: B-

Warning: This review of episode 5 of Disclaimer will contain spoilers.

Voiceover narration is a tricky artistic choice to pull off, even for the most astute director. I don’t know if it’s beginning to wear on me, or if the narration in “V” in particular has gotten lazier, but I found the writing within this week’s installment to be lackluster overall. It’s likely no coincidence that the best moments to be found are the stretches in the second half of the episode where the narration is absent entirely.

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Disclaimer Episode 4 Review

“IV”

  • Creator: Alfonso Cuarón
  • Starring: Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Leslie Manville, Leila George

Grade: B

Warning: This review of episode 4 of Disclaimer will contain spoilers.

I’m not sure if it’s better or worse for Catherine (Cate Blanchett) that her time with Jonathan (Louis Partridge), which we see more of in “IV”, was simply a casual fling, rather than a case of star-crossed lovers who simply met at the wrong phase of their lives. I get the sense that younger Catherine (Leila George) saw it as nothing more than a one-time thing that was never meant to leave Italy, or which she would ever really think about again – and that’s even before she has the argument with Jonathan on the subject. Maybe that’s why she’s so desperate to get back into Robert’s (Sacha Baron Cohen) good graces.

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Disclaimer Episode 3 Review

“III”

  • Creator: Alfonso Cuarón
  • Starring: Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Leslie Manville

Grade: A-

Warning: The review of episode 3 of Disclaimer will contain spoilers.

Only three episodes in, Disclaimer has boldly tackled a number of complex themes, sometimes within the same scene, even when the plot doesn’t progress very much. Set against the backdrop of these two parallel families, and the two timelines, it’s a fascinating look at perspectives, power, and truth. The scene that brings all of this together takes up the bulk of the second half of “III”, at the conclusion of young Catherine’s (Leila George) first day with Jonathan (Louis Partridge), and Cuarón uses it to inform not just their past interaction, but reveals a great deal about Catherine in the present.

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Disclaimer Season Premiere Review

“I” & “II”

  • Creator: Alfonso Cuarón
  • Starring: Cate Blanchett, Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Leslie Manville, Leila George

Grade: A-

Warning: The review of the season premiere of Disclaimer will contain spoilers.

It shouldn’t be understated how rare it is to see the massive abundance of talent behind and in front of the camera in AppleTV+’s latest limited series Disclaimer. It’s become too easy to joke how Apple fills its catalog with projects with A-list stars but barely remembers to promote them, but a series which boasts Oscar winners and nominees like Alfonso Cuarón (who writes and directs each episode), Cate Blanchett, Kevin Kline, Kodi Smit-McPhee, Sacha Baron Cohen, cinematographer Emmanuel Lubezki, and music from Finneas O’Connell simply demands attention from the start.

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Slow Horses Season 4 – TV Review

Slow Horses

  • Creator: Will Smith
  • Starring: Gary Oldman, Jack Lowden, Kristin Scott Thomas, Saskia Reeves, Rosalind Eleazar, Christopher Chung, Jonathan Pryce, Hugo Weaving
  • Six episode season, six episodes watched for review

Grade: B+

On the surface, Slow Horses doesn’t do anything radically different than any television show that was on the air 10 years ago. This shouldn’t make AppleTV+’s spy series sound outdated or old-fashioned; on the contrary – it’s a refreshingly modern and reliable adaptation of Mick Herron’s series of novels that makes its mark in the spy thriller genre. But in an age where new seasons of TV shows can take 2 or 3 years between releases, Slow Horses has churned out 4 solid seasons – the latest of which releases its season premiere of the 6 episode season today – in just 2 years.

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Lady in the Lake – TV Review

Lady in the Lake

  • Creator: Alma Har’el
  • Starring: Natalie Portman, Moses Ingram, Y’lan Nolan, Mikey Madison, Brett Gelman, Noah Jupe, Mike Epps, Dylan Arnold, Byron Bowers
  • Seven episode season, seven episodes watched for review

Grade: C

If you came to Lady in the Lake just to see some exquisite 1960s era production design and Natalie Portman chewing scenery, you’ll be in for a treat. If you came to find a fresh, new angle on race relations, anti-semitism, sexism, et cetera in the volatile city of Baltimore, you should probably just watch The Wire instead. There’s genuine emotion, intriguing stories, and filmmaking choices to be found within the AppleTV+ limited series, but the streamer already has plenty more captivating offerings that should be watched first.

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Best TV Shows of 2024 So Far

2024 has been my best year so far for keeping up with new releases of TV. Major blind spots, normally voluminous, are mostly down to shows like Ripley, Girls 5Eva, Hacks, and The Sympathizer. The first half of this year has seen a great number of limited series, dramas, and comedies, that could potentially make it to the end of year list. Note that certain shows, like The Curse and Fargo, fully belong on this list, but premiered the bulk of their episodes in 2023.

Honorable Mentions:

  • Baby Reindeer
  • Masters of the Air
  • Sugar
  • The Regime
  • Under the Bridge
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Fallout Season 1 – TV Review

Fallout Season 1

  • Creators: Geneva Robertson-Dworet, Graham Wagner
  • Starring: Ella Purnell, Walton Goggins, Aaron Moten, Moisés Arias, Kyle MacLachlan, Sarita Choudhury, Michael Emerson, Leslie Uggams, Frances Turner, Dave Register, Zach Cherry, Johnny Pemberton
  • Eight episode season, eight episodes watched for review

Grade: B

Here’s the problem inherent in a TV version of Fallout, which most video game adaptations face: no matter how many episodes are created, no matter how much detail the creators throw in, the experience of watching the show will never match the experience of playing the game. Unlike The Last of Us, perhaps the most successful in the genre, Fallout wasn’t inherently designed to be cinematic, or to follow one straightforward storyline. In fact, part of what makes the games so great (I’m a huge fan, so color your reactions to the rest of this review accordingly) is in how free you are to do just about anything at your own leisure. Television doesn’t provide the same luxury, but that doesn’t mean a series adaptation was doomed to fail from the start.

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