Category Archives: Movie Reviews

Heartland Film Festival: Armand Review

Armand

  • Director: Halfdan Ullmann Tøndel
  • Writer: Halfdan Ullmann Tøndel
  • Starring: Renate Reinsve, Ellen Dorrit Petersen, Endre Hellestveit, Thea Lambrechts Vaulen, Øystein Røger, Vera Veljović-Jovanović, Loke Nikolaisen

Grade: B+

A debut feature from a nepo baby brings a wide range of expectations for me. Sometimes they can turn out fantastic, like Sofia Coppola’s The Virgin Suicides, and other times you get films like Ishana Shayamalan’s The Watchers, a haphazard attempt at replicating her father. Luckily for Halfdan Ullmann Tøndel, the grandson of Ingmar Bergman, his debut Armand finds himself a worthy directorial talent to look out for in the future.

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Heartland Film Festival: Flow Review

Flow

  • Director: Gints Zilbalodis
  • Writer: Gints Zilbalodis, Matīss Kaža

Grade: A-

Yes, technically, Flow is an animated fantasy film featuring a cadre of wild animals in a post-apocalyptic landscape, but it’s the more grounded naturalism that makes the film sing. Besides, given that we’ve just seen two “once-in-a-generation” hurricanes strike in the past two weeks, perhaps it’s not so far-fetched after all. Gints Zilbalodis, the co-writer (with Matīss Kaža) , director, producer, editor, cinematographer, production designer, and co-composer (with Rihards Zalupe) has crafted a warm and inviting story about friendship and nature that stands as one of the year’s best films.

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Heartland Film Festival: A Real Pain Review

A Real Pain

  • Director: Jesse Eisenberg
  • Writer: Jesse Eisenberg
  • Starring: Jesse Eisenberg, Kieran Culkin, Jennifer Grey, Will Sharpe, Kurt, Egyiawan, Liza Sadovy, Daniel Oreskes

Grade: B+

Jesse Eisenberg’s second feature as writer-director shows a massive leap in maturity, thanks in large part to the personal subject matter at its heart. A Real Pain isn’t necessarily an autobiographical film for the multi-hyphenate star, but there are elements which he has explicitly stated are pulled from real-life details about his family history. It’s a free-wheeling road trip film that visits pain both personal and historical, anchored by an ensemble that gels together as well as any film this year.

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The Outrun Review

The Outrun

  • Director: Nora Fingsheidt
  • Writers: Nora Fingsheidt, Amy Liptrot
  • Starring: Saoirse Ronan, Paapa Essiedou, Stephen Dillane, Saskia Reeves

Grade: B

The Outrun is a story of addiction – alcohol addiction, specifically – but it’s a film that looks at the almost mythological origins of addiction. Are we born an addict, or is it borne from circumstance? It’s fitting for a film set on the Scottish coast, where its main character, played with devastating humanity by Saoirse Ronan, is a biologist who often waxes poetic about humanity’s origins. Character studies about addicts, or even unlikeable protagonists, are nearly as old as film itself, and while writer-director Nora Fingsheidt’s film isn’t an entirely fresh entry, it feels like it comes from a place of genuine sincerity.

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Joker: Folie à Deux Review

Joker: Folie à Deux

  • Director: Todd Phillips
  • Writer: Todd Phillips, Scott Silver
  • Starring: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener

Grade: C+

It’s hard to believe that it’s been five years since the release of Todd Phillips’ Joker. Whether you loved it or hated it, the movie’s status as a phenomenon is undeniable. Not only did it become the highest grossing R-rated movie (at the time), but it was hard to escape since it premiered at the Venice Film Festival and won the prestigious Golden Lion Award. Regardless of what any individual felt, it got a lot of people talking and even became a bit of a hot-button political issue.

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My Old Ass Review

My Old Ass

  • Director: Megan Park
  • Writer: Megan Park
  • Starring: Maisy Stella, Aubrey Plaza, Percy Hynes White, Maddie Ziegler

Grade: A-

Coming-of-age films have always been a hallmark of filmmaking, from the beloved movies of John Hughes to the modern classics like Lady Bird and The Edge of Seventeen. Writer-director Megan Park’s sophomore feature My Old Ass brings a new twist to the genre. Instead of being a period piece, complete with nostalgic needle drops and the filmmaker’s own upbringing, Park sets her film squarely in the present day with her heroine interacting with her future self.

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Megalopolis Review

Megalopolis

  • Director: Francis Ford Coppola
  • Writer: Francis Ford Coppola
  • Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LeBouf, Jon Voight, Laurence Fishburne, Talia Shire, Kathryn Hunter

Grade: D+

Make no doubt about it, Francis Ford Coppola is a director who has more than earned his reputation as a master of film. From The Godfather and Part 2 to Apocalypse Now, he has made some of the most widely celebrated and praised movies of all time. Although unlike some of his compatriots such as Martin Scorsese and Steven Spielberg, he has had his fair share of fumbles.

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¡Casa Bonita Mi Amor! Review

¡Casa Bonita Mi Amor!

  • Director: Arthur Bradford

Grade: B

How far would you go to preserve a favorite childhood memory? In ¡Casa Bonita Mi Amor!, director Arthur Bradford chronicles the struggles to preserve a beloved Colorado landmark, no matter how fraught the process may be. Though the documentary is as slight as you might expect when dealing with such subject matter, it gets by thanks to its main characters, the titular Denver-based Mexican restaurant, and its new owners, Trey Parker and Matt Stone.

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His Three Daughters Review

His Three Daughters

  • Director: Azazel Jacobs
  • Writer: Azazel Jacobs
  • Starring: Carrie Coon, Elizabeth Olsen, Natasha Lyonne, Jay O. Sanders, Jovan Adepo

Grade: A-

Death often brings out the worst in people, and not just from the dying. Old grudges are brought back to the fore, and people tend to reveal themselves and their true intentions when a loved one is on the verge of crossing over. His Three Daughters takes this idea, and writer-director Azazel Jacobs runs with it to create a deeply empathetic portrait of longstanding trauma, resentment, love, and sisterhood. It’s the kind of film which presents as simple in concept but has many moving things to say, featuring characters who feel real and imperfect because of the grounded performances from the lead actresses.

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Between the Temples Review

Between the Temples

  • Director: Nathan Silver
  • Writers: C. Mason Wells, Nathan Silver
  • Starring: Jason Schwartzman, Carol Kane, Dolly De Leon, Robert Smigel, Madeline Weinstein

Grade: B-

There’s a great deal of comedy to be found in the very idea of organized religion. Between the Temples focuses on one man’s crisis of Jewish faith and how he unintentionally passes it on to others, often leading to comically obtuse situations. Director and co-writer Nathan Silver takes a lo-fi, Christopher Guest-ian approach to the film, with quick banter, and improv heavy dialogue to mixed results. It’s a film which hinges on the strengths of its leads, Jason Schwartzman and Carol Kane but, at nearly two hours long, it quickly runs out of steam to sustain itself to the end.

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