Tag Archives: entertainment

Train Dreams Review

Train Dreams

  • Director: Clint Bentley
  • Writer: Clint Bentley, Greg Kwedar
  • Starring: Joel Edgerton, Felicity Jones, William H. Macy, Kerry Condon, Clifton Collins Jr., Will Patton

Grade: A

In the entire history of the universe, since matter was first created, the time which humans have occupied on Earth has been microscopic. And the average life span of an average human fractures that already tiny number into an even smaller percentage. In other words, the modern world which you or I are seeing and experiencing is just a small bit of what’s come before and what will come after. This is, ostensibly, a review of Clint Bentley’s Train Dreams, the best film of the year, but because it’s a film that spoke to me on a deeper, more human level than any film in a long time, I feel it warrants a more philosophical and personal discussion.

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Ballad of a Small Player Review

Ballad of a Small Player

  • Director: Edward Berger
  • Writer: Rowan Joffe
  • Starring: Collin Farrell, Fala Chen, Tilda Swinton, Deanie Yip Tak-Han, Alex Jennings, Jason Tobin, Adrienne Lau

Grade: C+

Every gambler knows that, sooner or later, no matter how hot their streak becomes, they’ll eventually go bust; the only variable is how much it’ll hurt when it happens. After making an international splash in 2022, director Edward Berger’s new film Ballad of a Small Player isn’t a spectacular bust, but is a relative disappointment compared to his recent output. Though it’s easy to see why Berger was drawn to making the film, the end result is a worn-out character piece full of wasted potential.

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Blue Moon Review

Blue Moon

  • Director: Richard Linklater
  • Writer: Robert Kaplow
  • Starring: Ethan Hawke, Andrew Scott, Bobby Cannavale, Margaret Qualley, Jonah Lees, Simon Delaney

Grade: B

Richard Linklater’s long and illustrious career has taken him across genres, decades, countries, and styles to make one of the most varied filmographies since his rise on the indie scene in the 1990s. For his latest, Blue Moon – the first of his two films to be released in 2025 – Linklater reunites with his most constant collaborator, Ethan Hawke, to produce a new spin on the biopic. I had written in my review of Linklater’s last film that he’s always been interested in exploring the private persona versus public, and while this certainly applies here, he’s perhaps just as fascinated with the passage of time and how it can distort those same perceptions.

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It Was Just an Accident Review

It Was Just an Accident

  • Director: Jafar Panahi
  • Writer: Jafar Panahi
  • Starring: Vahid Mobasseri, Mariam Afshari, Ebrahim Azizi, Hadis Pakbaten, Majid Panahi, Mohamad Ali Elyasmehr

Grade: A-

Getting any film made, even under the best of circumstances, is a small kind of miracle. For auteur Jafar Panahi, getting a film made under the Iranian regime is another kind of miracle entirely – not to mention an active act of resistance. Panahi has faced difficulties making films before (his last film, No Bears, was made while he was under house arrest). But It Was Just an Accident is as openly critical towards his government as possible, and presents a moral and existential quandary that anyone can relate to when living under fear.

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Rental Family Review

Rental Family

  • Director: Hikari
  • Writer: Hikari, Stephen Blahut
  • Starring: Brendan Fraser, Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman, Akira Emoto, Shino Shinozaki

Grade: B

There are over 300 companies today throughout Japan employing actors, not for film or television roles, but as ordinary people helping other ordinary people to get through the day. Rental Family explores the almost too bizarre to be true phenomenon and the emotional toll it takes from both sides. It’s a slam-dunk premise for a weepy dramedy, but director Hikari’s film is too unfocused to be as resonant as intended.

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Urchin Review

Urchin

  • Director: Harris Dickinson
  • Writer: Harris Dickinson
  • Starring: Frank Dillane, Megan Northam, Shonagh Marie, Harris Dickinson, Joel Lockhart, Diane Axford, Angela Bain

Grade: B+

It’s always a risky gamble when a prominent actor tries their hand behind the camera for the first time; for every Good Night, and Good Luck, there’s a hundred other Leatherheads. There’s no clear recipe for success, but first-time writer-director Harris Dickinson’s clearly defined vision is what makes Urchin an impressive statement. In fact, Dickinson avoids many of the fatal pratfalls which often lead to actor-directed projects.

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The Lost Bus Review

The Lost Bus

  • Director: Paul Greengrass
  • Writer: Brad Ingelsby, Paul Greengrass
  • Starring: Matthew McConaughey, America Ferrera, Yul Vazquez, Ashlie Atkinson

Grade: B

Paul Greengrass, Hollywood’s most efficient auteur of ripped-from-the-headlines dramatizations, returns with one of the most harrowing and stressful films of the year in The Lost Bus. Aside from his work on the Bourne franchise, Greengrass’s greatest successes have come from films about real people overcoming the odds to survive, like Captain Phillips and United 93. His latest covers a recent, well-publicized event, and though the life-or-death stakes are often enough to sustain the film for long stretches, it’s not enough to overcome its limitations.

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The Smashing Machine Review

The Smashing Machine

  • Director: Benny Safdie
  • Writer: Benny Safdie
  • Starring: Dwayne Johnson, Emily Blunt, Ryan Bader

Grade: B-

Boxing is an inherently cinematic format, a sport where one man or woman puts their mind and body on the line in a quest for glory. Mixed martial arts cranks the sport and its stakes up exponentially, and writer-director Benny Safdie’s The Smashing Machine spares nothing to show the inherent brutality and all its costs. Here is a sport where blood, sweat, tears, and a broken bone or two literally comes with the territory. But it takes more than raw physicality to make an enduring MMA film, and it requires a deeper story worth telling to break the mold of the typical sports drama.

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Swiped Review

Swiped

  • Director: Rachel Lee Goldenberg
  • Writer: Rachel Lee Goldenberg, Bill Parker, Kim Caramele
  • Starring: Lily James, Ben Schnetzer, Myha’la, Jackson White, Dan Stevens

Grade: D+

For the past 15 years, Hollywood has been chasing what crystalized so perfectly in The Social Network, and Hulu’s Swiped represents yet another misguided attempt to capture lightning in a bottle. There have been some wins here and there: films and mini-series like Blackberry or The Dropout that have successfully mythologized the almost Shakespearean struggles between the geniuses who created the companies or tech we’re all familiar with and those who sought to bring them down. But for every one that breaks through, there are a thousand more imitators that are instantly forgotten – and that’s not including the countless documentaries made on the same subjects. Though, if you went into a straight-to-Hulu release written by Rachel Lee Goldenberg (who also directs), Bill Parker, and Kim Caramele, expecting quality comparable to David Fincher and Aaron Sorkin’s film, somebody lied to you along the way.

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Twinless Review

Twinless

  • Director: James Sweeney
  • Writer: James Sweeney
  • Starring: Dylan O’Brien, James Sweeney, Lauren Graham, Aisling Franciosi, Tasha Smith, Chris Perfetti, Susan Park

Grade: A-

With so many films in recent years centered around grief and grieving, it seems impossible to believe that a film could find a new angle in approaching the subject. But Twinless feels fresh and original, thanks to the voice of writer-director-star James Sweeney by centering less on the death of a person and more on how a lack of closure can be just as difficult as the death itself. And beyond the film’s thematic weight, it provides excellent acting showcases for both Sweeney and Dylan O’Brien.

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