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Continue reading Trevor Stucker’s Top 10 Movies of 2023
Rebel Moon – Part One: A Child of Fire
Zack Snyder’s most basic impulses as a filmmaker seem to revolve around one guiding principle: make the coolest-looking image at any given moment. This is part of what makes him a filmmaker that audiences flock towards (and that’s all I’ll say about his fans in this review). But it’s what makes him so often frustrating, because his instinct for visual flair comes at the expense of thought-provoking storytelling. Though the bulk of Snyder’s films come as comic book and graphic novel adaptations, could he fare any better when making a wholly original work with the backing of Netflix?
Continue reading Rebel Moon – Part One: A Child of Fire Review
The Iron Claw
It’s human nature, when in the aftermath of an unexpected, tragic event, to ask ‘could this have been prevented?’ It’s a kind of coping mechanism to try to make sense of the unimaginable, a way to find some peace of mind when answers may not be readily available. Biopics tend to attempt to find their own answers, whether by re-contextualizing the facts, or unveiling what was previously forgotten.
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Chicken Run: Dawn of the Nugget
Nostalgia can be a deadly weapon. More often than not, our fondness for the pop culture of yesteryear can propel us to tack on an unecessary coda to what was already a perfectly fine artistic statement, whether it be a prequel, sequel, or spin-off. Though there are, of course, exceptions to this rule, like last year’s Top Gun: Maverick. I have tremendous nostalgia for 2000’s Chicken Run, as the VHS was on constant rotation on family road trips, so I greeted the news of a sequel, coming 23 years later and dropping on Netflix on December 15, with reserved skepticism.
Continue reading Chicken Run: Dawn of the Nugget Review
The Boy and the Heron
Over the course of his 40+ year career, animation master and Studio Ghibli co-founder Hayao Miyazaki has made some of the most transcendent films ever made, animated or otherwise. They’re films like My Neighbor Totoro, Princess Mononoke, and Spirited Away that have crossed oceans and cultures to remind audiences of what storytelling can be. They’re films that casual movie fans and diehard cinephiles alike can enjoy, and they provide a much-needed rebuke to the often predictable storytelling mechanisms of Western animation. His latest, and possibly last film, The Boy and the Heron, feels like the film that he’s been building towards his entire life, a culmination of a lifetime’s philosophy in a beautifully rendered package.
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Eileen
Eileen lives in a beige world. When she’s not staring out the window of the drab prison office where she’s employed as an office drone, curiously transfixed by the new inmate who murdered his father, or taking care of her alcoholic WWII vet father, she’s practically drowning in the grays and browns and mustard yellows of her 1960s seaside New England town. So when a pop of color arrives in the form of a noticeably red sedan that pulls into the prison parking lot, she’s instantly curious. But when she sees that the driver of the sedan is blonde bombshell Dr. Rebecca St. John, the prison’s new psychologist, she becomes so transfixed that she may never be the same.
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The Hunger Games: The Ballad of Songbirds and Snakes
The Hunger Games franchise was a major part of my childhood. I sat in the theater opening weekend for every film in the now decade-spanning series, from the very first The Hunger Games in 2012 to Mockingjay – Part 2 in 2015. It was my gateway into franchise films, and I enjoy each movie in this series in its own way. That said, I was not excited to see The Hunger Games: The Ballad of Songbirds and Snakes.
Continue reading The Hunger Games: The Ballad of Songbirds and Snakes Review
Next Goal Wins
Next Goal Wins is the latest polarizing film from writer and director Taika Waititi. It stars Michael Fassbender, Elizabeth Moss, Kaimana and, as is often the case, Waititi himself. The film follows Thomas Rongen (Fassbender), a down-on-his-luck soccer coach, who takes a job to coach the American Samoa soccer team, the lowest-ranked team in the FIFA world rankings.
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May December
In a year when films have explored difficult subject matter like Native American genocide (Killers of the Flower Moon), artistic fortitude (Asteroid City), and tangled romance (Past Lives), May December may be the most complex of them all. It’s a film that deals with topics like identity, our American fascination with scandal, and personal authenticity – all while being one of the darkest comedies of the year.
Continue reading May December Review