All posts by Matt Gillam

Mutiny Review

Mutiny

  • Director: Jean-François Richet
  • Writer: Lindsey Michel, J.P. Davis
  • Starring: Jason Statham, Annabelle Wallis, Roland Møller, Arnas Fedsravičius, Adrian Lester

Grade: C

Jason Statham is back on the big screen in the action thriller Mutiny, which he produces and stars in as Cole Reed, an ex-police officer turned bodyguard who embarks on a vengeance mission after being framed for his boss’s cold-blooded murder. Cole’s operation veers in a new direction, however, when he discovers unscrupulous activity aboard the cargo ship he has infiltrated. From there, we go through a “play the hits” formula that will be expected for anyone familiar with Statham’s catalogue. There are a few successful elements, but overall the film sinks more than it sails.  

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One Night Only Review

One Night Only

  • Director: Will Gluck
  • Writer: Travis Braun
  • Starring: Monica Barbaro, Callum Turner, Maya Hawke, Julia Fox, King Princess, Ziwe, Ben Marshall, Molly Ringwald, Levar Burton

Grade: C

The United States Government has instituted a national ban on pre-marital sex, and New Yorkers are preparing for the only night of the year where the ban is temporarily lifted and they can fulfill their suppressed desires. While it’s unfortunately not crazy to envision this as a not-too-distant future headline in the real world, it’s actually the premise for One Night Only, Will Gluck’s new romcom starring Monica Barbaro and Callum Turner. The duo’s characters, Allie and Owen, meet on this fateful day and, as expected, shenanigans ensue. What follows is a good enough time at the theater, but nothing that adds anything special to the genre. 

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Couture Review

Couture

  • Director: Alice Winocour
  • Writer: Alice Winocour
  • Starring: Angelina Jolie, Anyier Anei, Ella Rumpf, Louis Garrel

Grade: C+

Paris Fashion Week serves as the backdrop for writer/director Alice Winocour’s latest film, Couture. The story centers on three women navigating the complexities of life while focusing on their work in an industry not known for its empathy. Angelina Jolie produces and stars in what is her follow-up outing to 2024’s biopic Maria, which saw the cultural icon embodying late opera singer Maria Callas. Couture is a quieter project for the veteran actor, but still gives her the chance to flex her ability to fall effortlessly into any character she’s given. While there are bright spots to be found throughout, the film stumbles into uneven territory at times, never fully threading the needle. 

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The Invite Review

The Invite

  • Director: Olivia Wilde
  • Writer: Rashida Jones, Will McCormack
  • Starring: Olivia Wilde, Seth Rogen, Penelope Cruz, Edward Norton

Grade: A+

If you’re at all dialed into cinematic pop culture, you probably remember the moment that was the press tour for Olivia Wilde’s last film, 2022’s Don’t Worry Darling. Critics and audiences were divided on the film’s merits, but it was the off-screen relationships and shenanigans surrounding the Hollywood release that truly captured the zeitgeist. Wilde’s latest directorial effort, The Invite, feels like a triumphant return to a focus on filmmaking with the director turning in the strongest entry of her career so far. The story centers on two neighboring couples, each with their own quirky eccentricities, who meet for a dinner party. What starts as a conventional evening quickly devolves into chaos as the couples are forced to deal with new perspectives that magnify hidden truths in their own relationships.    

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Tuner Review

Tuner

  • Director: Daniel Roher
  • Writer: Daniel Roher, Robert Ramsey
  • Starring: Leo Woodall, Dustin Hoffman, Havana Rose Liu, Tovah Feldshuh, Lior Raz

Grade: A

If you’re a fan of propulsive crime thrillers like Uncut Gems or musically tinged dramas like Whiplash, you’re bound to have a lot of fun with Tuner, which offers shades of both while feeling fresh and unique on its own. The film follows a piano tuner as he discovers that his unique skill set leaves him well suited not only for adjusting instruments, but also for a potentially lucrative life of crime he never dreamed of. As he descends into a world he may not fully understand, he must grapple with questions of identity and what he’s willing to do for the people he loves.

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Saccharine Review

Saccharine

  • Director: Natalie Erika James
  • Writer: Natalie Erika James
  • Starring: Midori Francis, Danielle MacDonald, Madeleine Madden

Grade: C-

Saccharine is the third feature from Writer/Director Natalie Erika James, following her pandemic-era breakthrough Relic and 2024’s Rosemary’s Baby prequel, Apartment 7A.  The film follows Hana (Midori Francis), a medical student suffering from body dysmorphia who experiments with a new weight-loss pill that promises to slim her down in next to no time. With GLP-1 medications now commonplace in our society, this may feel like a familiar and timely premise. But of course, there’s more to it, as Hana finds that what seems like a simple solution to her struggles may come tied to sinister consequences.

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undertone Review

undertone

  • Director: Ian Tuason
  • Writer: Ian Tuason
  • Starring: Nina Kiri, Adam DiMarco, Michèle Duquet

Grade: C

A24’s latest horror flick undertone puts a new twist on screen-life horror: instead of playing out the story via windows on a computer screen, the terrors in the film unfurl through a series of podcast sessions. Evy and Justin (played by Nina Kiri and The White Lotus’s Adam DiMarco) cohost a podcast dissecting paranormal events. When they begin to dive into a series of ten audio files sent by a mystery contributor, things start to shift in the home Evy shares with her ill mother (Michèle Duquet). Unfortunately, the story that follows is messy and cliched, failing to live up to the inventive horror films A24 is often known for putting out.

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Matt Gillam’s Top 10 Movies of 2025

Another year in film has come and gone! While it may not have served up hits as consistently as 2024, there were enough treasures to go around if you knew where to look. With the future of the theatrical experience resting on tenuous ground, new layers have been added to the act of reminiscing on my 2025 movie-going experiences. How many of these films may not have even been greenlit in a consolidated distributor model? Which types of stories may no longer rise to prominence when a dwindling number of individuals control the narrative? Deep questions to ponder during the holiday season, but I remain hopeful that filmmakers will continue to be able to wow us with cinematic spectacle for years to come, even if the process of getting there may look different. Maybe that’s a topic to worry more about next year! For now, here are my top 10 favorite movies of 2025, along with some honorable mentions (because who can pick just 10?):

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No Other Choice Review

No Other Choice

  • Director: Park Chan-wook
  • Writer: Park Chan-wook, Lee Kyoung-mi, Lee Ja-hye, Don McKellar
  • Starring: Lee Byung-hun, Son Ye-jin, Park Hee-soon, Lee Sung-min, Yeom Hye-ran, Cha Seung-won, Kimm Woo-seung

Grade: B

With his latest creation No Other Choice, Park Chan-wook takes his turn to adapt Donald E. Westlake’s 1997 horror novel The Ax. It is the second film adaptation of that source material, following The Axe, a film by director Costa-Gavras that was released 20 years ago. This interpretation follows Yoo Man-su (Lee Byung-hun), an everyday Korean family man who has lost his longtime job with a paper-making company due to an American takeover.  He identifies a new path for himself, and resorts to dangerous lengths to eliminate his competition in hopes of securing his family’s future. The story of a man turning to crime to better his life is a story we’ve probably all encountered in film before, so many of the story beats may be familiar to fans who enjoy a good thriller. As with most of his films, though, Park takes an eclectic approach to genre here—mixing dark comedy, horror, and satirical elements to give the film a unique flavor. There’s enough of that flair infused here to keep the film feeling fresh and interesting.

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Hamnet Review

Hamnet

  • Director: Chloé Zhao
  • Writer: Chloé Zhao, Maggie O’Farrell
  • Starring: Jessie Buckley, Paul Mescal, Emily Watson, Jacobi Jupe, Noah Jupe, Joe Alwyn

Grade: A-

Maggie O’Farrell’s 2020 novel Hamnet took a new approach to exploring the world of Shakespeare. Instead of focusing solely on the Bard of Avon himself, O’Farrell shone a light on his family—namely, his wife Agnes and his youngest son, Hamnet. The book explores the grief that befalls Hamnet’s family when he dies suddenly during a plague, and how that experience led to the crafting of one of Shakespeare’s most iconic plays, Hamlet. In the film adaptation, Academy Award winning director Chloé Zhao employs her signature naturalistic brand of filmmaking to add even more emotional depth to this fictional tale grounded in the history of one of our greatest storytellers. The film is an excellent complement to the book, staying faithful to the roots but branching out on its own artistically.

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