Tag Archives: Movie Reviews

The Life of Chuck Review

The Life of Chuck

  • Director: Mike Flanagan
  • Writer: Mike Flanagan
  • Starring: Tom Hiddleston, Karen Gillan, Chiwetel Ejiofor, Mark Hamill, Jacob Tremblay

Grade: B+

Mike Flanagan is easily one of the most underrated filmmakers working today. Whether it’s his work on films like Doctor Sleep or Gerald’s Game or his TV shows The Haunting of Hill House and The Fall of the House of Usher, Flanagan has made a name for himself in the Hollywood industry. His newest film, The Life of Chuck, sees his return to the big screen with a nonlinear drama that proves his versatility as a filmmaker.

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How to Train Your Dragon Review

How to Train Your Dragon

  • Director: Dean DeBlois
  • Writer: Dean DeBlois
  • Starring: Mason Thames, Nico Parker, Gerard Butler, Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James

Grade: B

Until this point, live action remakes of animated films have been confined to Disney, a symbol of their hubristic greed to wring every last possible dollar out of their classic catalog. How to Train Your Dragon, one of the most respected of DreamWorks Animation’s library, has an admittedly dated aesthetic by today’s standards, but this alone isn’t reason enough to make the jump to live action. But writer-director Dean DeBlois (who co-directed the original with Chris Sanders and went solo for the rest of the trilogy) stays true to the heart of the film, making the best remake of its kind so far.

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Fountain of Youth Review

Fountain of Youth

  • Director: Guy Ritchie
  • Writer: James Vanderbilt
  • Starring: John Krasinski, Natalie Portman, Eiza González, Domhall Gleeson, Carmen Ejogo, Arian Moayed, Stanley Tucci

Grade: C-

For every action, there is an equal but opposite reaction. On the same weekend when Tom Cruise & Co. are defying death on the big screen, Guy Ritchie’s Fountain of Youth wasn’t even given the decency of a one-week theatrical run, and has been relegated to the AppleTV+ streamer. Whereas Christopher McQuarrie seeks to redefine action spectacle, Ritchie’s film never distinguishes itself as anything more than a clone of films like National Treasure or the Dan Brown/Robert Langdon series.

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Sister Midnight Review

Sister Midnight

  • Director: Karan Kandhari
  • Writer: Karan Kandhari
  • Starring: Radhika Apte, Ashok Pathak, Chhaya Kadam, Smita Tambe, Navya Sawant

Grade: B+

As soon as Howlin’ Wolf’s “Moanin’ at Midnight” starts to play over the opening credits of Sister Midnight, it’s clear we’re in for a wild ride. It’s a strange juxtaposition, with a janglin’ blues song that would be more at home in a deep-fried Southern noir, and not a surrealist comedy about life on the fringes in Bombay, India. But somehow it works, and Karan Kandhari’s film continues to ride this tricky tightrope for its remaining 107 minutes.

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Eephus Review

Eephus

  • Director: Carson Lund
  • Writers: Carson Lund, Michael Basta, Nate Fisher 
  • Starring: Keith William Richards, Cliff Blake, Ray Hryb, Bill Lee, Stephen Radochia, David Pridemore, Keith Poulson

Grade: B+

The special thing about Eephus is that there’s nothing particularly special about it. Carson Lund’s directorial debut never swings for the fences, instead resting on bone-dry comedic observations and characters to subvert the sports drama. It’s an indie film through and through, devoid of false sentimentality, stakes, and character development, and while its originality is appreciated, it could still use some refining.

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The Monkey Review

The Monkey

  • Director: Osgood Perkins
  • Writer: Osgood Perkins
  • Starring: Theo James, Elijah Wood, Tatiana Maslany, Rohan Campbell, Christian Convery, Sarah Levy

Grade: B

Last year, Osgood Perkins broke into the mainstream with the box-office hit Longlegs. Not only did the film find success at the theater, but critics praised it for its atmospheric tension and gorgeous visuals. Less than a year later, Perkins teams with James Wan to adapt Stephen King’s short story “The Monkey.” Unlike his last film, The Monkey has a drastically different tone, delving deep into satire and absurdist humor, making this a riot from start to finish.

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You’re Cordially Invited Review

You’re Cordially Invited

  • Director: Nicholas Stoller
  • Writer: Nicholas Stoller
  • Starring: Will Ferrell, Reese Witherspoon, Geraldine Viswanathan, Jack McBrayer, Bobby Moynihan, Meredith Hagner, Jimmy Tatro

Grade: C-

Will Ferrell is an actor I enjoy in any project, no matter how good or bad it ends up. Whether it’s iconic comedies like Anchorman: The Legend of Ron Burgundy or critically panned films like Get Hard, Ferrell brings an energy that elevates even the worst dialogue. With the pairing of Reese Witherspoon and writer-director Nicholas Stoller, I had high expectations that You’re Cordially Invited could be another Will Ferrell staple. Sadly, the film falls victim to most recent direct-to-streaming comedies; an unimaginative screenplay and a misunderstanding of Gen-Z culture. 

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The Room Next Door Review

The Room Next Door

  • Director: Pedro Almodóvar
  • Writers: Pedro Almodóvar 
  • Starring: Tilda Swinton, Julianne Moore, John Turturro, Alessandro Nivola, Juan Diego Botto

Grade: B

Pedro Almodóvar’s films have always explored the very essence of humanity, filtered through his specific, melodramatic lens. His latest film, The Room Next Door, offers more of his sensibilities, and his ruminations on death and companionship, but something gets lost in translation. Throughout his career, Almodóvar has worked almost exclusively in his native Spanish – with the exception of his two most recent short films – but The Room Next Door is his first feature film in English. While it’s borderline reductive to attribute the film’s flaws to the change in language, it’s undoubtedly a lingering question that hangs over the final product.

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Nickel Boys Review

Nickel Boys

  • Director: RaMell Ross
  • Writers: RaMell Ross, Joslyn Barnes
  • Starring: Ethan Herisse, Brandon Wilson, Aunjanue Ellis-Taylor, Hamish Linklater, Fred Hechinger, Daveed Diggs

Grade: A

For 111 years after it opened in 1900, Florida’s School for Boys, nicknamed the Nickel Academy, operated officially as a reform school for troubled youths, but harbored painful secrets rooted in racism and cruelty. RaMell Ross’s film Nickel Boys, adapted from Colson Whitehead’s Pulitzer Prize-winning novel, tells just a fraction of the horrors that took place at the school in the Jim Crow era, but it’s also a film of staggering beauty. Through a risky creative choice, Ross has created one of the most empathetic films in recent memory, and one of the best of the year.

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Here Review

Here

  • Director: Robert Zemeckis
  • Writer: Eric Roth
  • Starring: Tom Hanks, Robin Wright, Paul Bettany, Dannie McCallum, Joel Oulette, Daniel Betts, Kelly Reilly

Grade: B-

Robert Zemeckis was once one of the top filmmakers in Hollywood. And for good reason. He had delivered hit film after hit film on a consistent basis, ranging from blockbusters like Back to the Future and Oscar-winners such as Forrest Gump.

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