Tuner Review

Tuner

  • Director: Daniel Roher
  • Writer: Daniel Roher, Robert Ramsey
  • Starring: Leo Woodall, Dustin Hoffman, Havana Rose Liu, Tovah Feldshuh, Lior Raz

Grade: A

If you’re a fan of propulsive crime thrillers like Uncut Gems or musically tinged dramas like Whiplash, you’re bound to have a lot of fun with Tuner, which offers shades of both while feeling fresh and unique on its own. The film follows a piano tuner as he discovers that his unique skill set leaves him well suited not only for adjusting instruments, but also for a potentially lucrative life of crime he never dreamed of. As he descends into a world he may not fully understand, he must grapple with questions of identity and what he’s willing to do for the people he loves.

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Saccharine Review

Saccharine

  • Director: Natalie Erika James
  • Writer: Natalie Erika James
  • Starring: Midori Francis, Danielle MacDonald, Madeleine Madden

Grade: C-

Saccharine is the third feature from Writer/Director Natalie Erika James, following her pandemic-era breakthrough Relic and 2024’s Rosemary’s Baby prequel, Apartment 7A.  The film follows Hana (Midori Francis), a medical student suffering from body dysmorphia who experiments with a new weight-loss pill that promises to slim her down in next to no time. With GLP-1 medications now commonplace in our society, this may feel like a familiar and timely premise. But of course, there’s more to it, as Hana finds that what seems like a simple solution to her struggles may come tied to sinister consequences.

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Swapped Review

Swapped

  • Director: Nathan Greno
  • Writer: Robert Machoian
  • Starring: Michael B. Jordan, Juno Temple, Tracy Morgan, Cedric the Entertainer, Justina Machado

Grade: C-

My hackles immediately go up at any film which opens with a “yeah, that’s me, I bet you’re wondering how I got here”-style voiceover, and Swapped – which trafficks in a similar kind of flash-forward – never really recovers from rote familiarity at nearly every turn. Director Nathan Greno, and screenwriters Christian Magalhaes, Robert Snow, and John Whittington, show some originality through the creative character designs, but the film mostly feels emblematic of what’s plagued Netflix original films and modern animation overall.

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